These remixes can also sometimes make for great showcases for young, unheard rappers, like when Ace Mack’s crisp quick-tongue verse came close to stealing the “Make It Rain” remix, and they’ve also made it possible for R. Every once in a while, a mediocre rapper will come out of nowhere to dominate a track: Diddy on the “We Fly High” remix, Lil Kim on the “Freaky Gurl” remix, Chamillionaire (who, yeah, has somehow become a mediocre rapper) on the “Party Like a Rockstar” remix. The first half of DJ Khaled’s “I’m So Hood” remix redeemed a boring song by front-loading it with hammering double-time verses from Young Jeezy, Ludacris, Busta Rhymes, and Big Boi. T.I.’s “Top Back” remix was a great victory-lap after an amazing year and a perfect opportunity to display the best backing team in rap Young Dro and B.G. The Game’s million-rapper “One Blood” remix from 2006 actually felt like an event it didn’t lose its adrenaline-rush immediacy once in its twelve-minute running time. Mediocre MCs elevate their game, putting more energy and thought into a 16 than into their whole album.” For the most part, I agree with Jon. Superstars–hello Wayne–deign to bless a lesser, really thieving the whole time. Here’s what Jon says: “Most of these songs were plenty good to start with, but especially when a song is already a hit, the 16 guest bars take on additional dimension and attitude. According to Jon, the remix’s resurgence offers rappers a chance to compete with each other, showing hunger and doing their best to upstage their peers.
As part of this year’s Idolator Critics’ Poll package, Jon Caramanica has a piece celebrating the grand return of the posse-cut remix.
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